Avishkar Raut, nj\u00eb i ri vet\u00ebm 16-vje\u00e7ar, po b\u00ebhet simbol i rezistenc\u00ebs kund\u00ebr korrupsionit n\u00eb Nepal, duke udh\u00ebhequr protestat masive q\u00eb kan\u00eb tronditur kryeqytetin Kathmandu.<\/p>\n
Fama e tij shp\u00ebrtheu n\u00eb mars, kur Avishkar mbajti fjalimin e tij t\u00eb fuqish\u00ebm \u201cJai Nepal\u201d gjat\u00eb nj\u00eb eventi shkollor. Fjalimi i tij i zjarrt\u00eb ka sh\u00ebrbyer si katalizator p\u00ebr t\u00eb rinjt\u00eb, duke i nxitur ata t\u00eb ngrihen dhe t\u00eb k\u00ebrkojn\u00eb llogaridh\u00ebnie nga qeveria. Videoja q\u00eb qarkullon n\u00eb rrjetet sociale e tregon Avishkarin duke udh\u00ebhequr protestuesit, duke thirrur parulla dhe duke k\u00ebrkuar drejt\u00ebsi.<\/p>\n
Situata ka degraduar dit\u00ebt e fundit: kryeministri K P Sharma Oli dha dor\u00ebheqjen, e cila u pranua nga presidenti, nd\u00ebrsa nd\u00ebrtesa e Parlamentit u shkel dhe u dogj, duke shkaktuar tronditje t\u00eb thella n\u00eb vend. Protestat kan\u00eb marr\u00eb mb\u00ebshtetje edhe nga shum\u00eb personazhe t\u00eb njohur nepalez\u00eb, duke i dh\u00ebn\u00eb l\u00ebvizjes nj\u00eb dimension komb\u00ebtar.<\/p>\n
Avishkar Raut po tregon se edhe t\u00eb rinjt\u00eb mund t\u00eb ken\u00eb nj\u00eb z\u00eb t\u00eb fuqish\u00ebm dhe t\u00eb ndikojn\u00eb n\u00eb t\u00eb ardhmen e vendit. Guximi dhe p\u00ebrkushtimi i tij p\u00ebr drejt\u00ebsi dhe transparenc\u00eb po frym\u00ebzon brezin e ri, duke d\u00ebshmuar se mosha nuk \u00ebsht\u00eb penges\u00eb p\u00ebr t\u00eb k\u00ebrkuar ndryshim.<\/p>\n","protected":false},"excerpt":{"rendered":"
Avishkar Raut, nj\u00eb i ri vet\u00ebm 16-vje\u00e7ar, po b\u00ebhet simbol i rezistenc\u00ebs kund\u00ebr korrupsionit n\u00eb Nepal, duke udh\u00ebhequr protestat masive q\u00eb kan\u00eb tronditur kryeqytetin Kathmandu. Fama e tij shp\u00ebrtheu n\u00eb mars, kur Avishkar mbajti fjalimin e tij t\u00eb fuqish\u00ebm \u201cJai Nepal\u201d gjat\u00eb nj\u00eb eventi shkollor. Fjalimi i tij i zjarrt\u00eb ka sh\u00ebrbyer si katalizator p\u00ebr<\/p>\n","protected":false},"author":1,"featured_media":11809,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[130],"tags":[],"class_list":{"0":"post-11808","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kronike"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/11808","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=11808"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/11808\/revisions"}],"predecessor-version":[{"id":11810,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/11808\/revisions\/11810"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/11809"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=11808"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=11808"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=11808"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}