{"id":12833,"date":"2025-11-08T14:56:27","date_gmt":"2025-11-08T14:56:27","guid":{"rendered":"https:\/\/revistatrend.com\/?p=12833"},"modified":"2025-11-08T14:56:27","modified_gmt":"2025-11-08T14:56:27","slug":"pablo-picasso-dhe-le-corbusier-dy-gjigandet-e-shekullit-xx-ne-nje-foto-qe-permbledh-nje-epoke","status":"publish","type":"post","link":"https:\/\/revistatrend.com\/index.php\/2025\/11\/08\/pablo-picasso-dhe-le-corbusier-dy-gjigandet-e-shekullit-xx-ne-nje-foto-qe-permbledh-nje-epoke\/","title":{"rendered":"Pablo Picasso dhe Le Corbusier, dy gjigand\u00ebt e shekullit XX, n\u00eb nj\u00eb foto q\u00eb p\u00ebrmbledh nj\u00eb epok\u00eb"},"content":{"rendered":"<p>Fotografia q\u00eb paraqet Pablo Picasso-n dhe Le Corbusier-in n\u00eb kantierin e Unit\u00e9 d\u2019Habitation n\u00eb Marsej\u00eb nuk \u00ebsht\u00eb thjesht nj\u00eb imazh dokumentar; ajo \u00ebsht\u00eb nj\u00eb takim epokal mes dy mendjeve q\u00eb ndryshuan m\u00ebnyr\u00ebn si njer\u00ebzimi e sheh form\u00ebn, hap\u00ebsir\u00ebn dhe lirin\u00eb krijuese.<\/p>\n<p>Le Corbusier, profeti i modernizmit arkitektonik, e projektoi Unit\u00e9 d\u2019Habitation si nj\u00eb laborator t\u00eb s\u00eb ardhme, nj\u00eb qytet vertikal ku jeta individuale dhe ajo komunitare nd\u00ebrthuren natyrsh\u00ebm n\u00ebp\u00ebrmjet banesave modulare, hap\u00ebsirave sociale, dyqaneve dhe ambienteve rekreative. E p\u00ebrfunduar m\u00eb 1952, kjo vep\u00ebr u b\u00eb manifesti m\u00eb i fuqish\u00ebm i ides\u00eb s\u00eb tij mbi arkitektur\u00ebn si \u201cmakin\u00eb p\u00ebr t\u00eb banuar\u201d, nj\u00eb filozofi e cila synonte t\u00eb zhbllokonte potencialin e jetes\u00ebs urbane n\u00eb shekullin modern.<\/p>\n<p>Prania e Pablo Picasso-s, mjesht\u00ebr i pandalsh\u00ebm i form\u00ebs, ngjyr\u00ebs dhe shpirtit t\u00eb njeriut, i jep k\u00ebsaj fotografie nj\u00eb dimension t\u00eb ve\u00e7ant\u00eb. Ai duket i t\u00ebrhequr nga radikaliteti i vizionit t\u00eb Le Corbusier-it, nga m\u00ebnyra se si arkitektura mund t\u00eb jet\u00eb jo vet\u00ebm struktur\u00eb, por nj\u00eb akt i ngjash\u00ebm me piktur\u00ebn, nj\u00eb nd\u00ebrhyrje q\u00eb transformon perceptimin ton\u00eb p\u00ebr realitetin. Dy figura t\u00eb m\u00ebdha, t\u00eb cilat rrall\u00eb takohen n\u00eb t\u00eb nj\u00ebjt\u00ebn korniz\u00eb, shikojn\u00eb s\u00eb bashku drejt di\u00e7kaje q\u00eb mbetet jasht\u00eb fush\u00ebs s\u00eb objektivit, por brenda horizontit t\u00eb \u00ebndrrave t\u00eb tyre krijuese.<\/p>\n<p>Kjo foto mbetet nj\u00eb d\u00ebshmi e rrall\u00eb e af\u00ebrsis\u00eb shpirt\u00ebrore mes dy gjigand\u00ebve q\u00eb i dhan\u00eb trajt\u00eb shekullit XX, nj\u00ebri p\u00ebrmes murit dhe betonit, tjetri p\u00ebrmes linj\u00ebs dhe pigmentit. Ajo mish\u00ebron nj\u00eb frym\u00eb dialogu t\u00eb heshtur mes artit dhe arkitektur\u00ebs, ku vizioni i s\u00eb ardhmes b\u00ebhet nj\u00eb ftes\u00eb p\u00ebr ta imagjinuar bot\u00ebn ndryshe.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fotografia q\u00eb paraqet Pablo Picasso-n dhe Le Corbusier-in n\u00eb kantierin e Unit\u00e9 d\u2019Habitation n\u00eb Marsej\u00eb nuk \u00ebsht\u00eb thjesht nj\u00eb imazh dokumentar; ajo \u00ebsht\u00eb nj\u00eb takim epokal mes dy mendjeve q\u00eb ndryshuan m\u00ebnyr\u00ebn si njer\u00ebzimi e sheh form\u00ebn, hap\u00ebsir\u00ebn dhe lirin\u00eb krijuese. Le Corbusier, profeti i modernizmit arkitektonik, e projektoi Unit\u00e9 d\u2019Habitation si nj\u00eb laborator t\u00eb<\/p>\n","protected":false},"author":1,"featured_media":12834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":{"0":"post-12833","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lifestyle"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/12833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=12833"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/12833\/revisions"}],"predecessor-version":[{"id":12835,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/12833\/revisions\/12835"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/12834"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=12833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=12833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=12833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}