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<\/p>\nEpisodi i kat\u00ebrt i serialit Love Story, nga Ryan Murphy, rikthen n\u00eb v\u00ebmendje nj\u00eb nga fushatat m\u00eb ikonike t\u00eb viteve \u201990: \u201cObsession for Men\u201d. Skena hap\u00ebse\u00a0 ku dy adoleshente vjedhin nj\u00eb poster me foton topless t\u00eb Kate Moss nd\u00ebrsa pran\u00eb kalon John F. Kennedy Jr. simbolizon ndikimin kulturor q\u00eb pati kjo fushat\u00eb n\u00eb at\u00eb koh\u00eb.<\/p>\n
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N\u00eb serial, shfaqet momenti kur Carolyn Bessette p\u00ebrzgjedh foton e Kate Moss nga nj\u00eb grumbull aplikimesh n\u00eb zyrat e Calvin Klein, duke bindur stilistin t\u00eb investoj\u00eb tek modelja e re. Edhe pse n\u00eb realitet ajo nuk e \u201czbuloi\u201d Moss n\u00eb kuptimin e plot\u00eb t\u00eb fjal\u00ebs, Bessette luajti rol ky\u00e7 n\u00eb mb\u00ebshtetjen e saj p\u00ebr fushat\u00ebn e diskutueshme t\u00eb vitit 1992 p\u00ebr t\u00eb brendshmet, ku Moss u shfaq p\u00ebrkrah Mark Wahlberg (at\u00ebher\u00eb i njohur si Marky Mark).<\/p>\n
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Sipas librit Champagne Supernovas nga Maureen Callahan, ishte pik\u00ebrisht Bessette dhe drejtori artistik Fabien Baron q\u00eb bind\u00ebn Klein se Moss ishte fytyra q\u00eb i duhej mark\u00ebs n\u00eb nj\u00eb moment kritik financiar. Suksesi i linj\u00ebs s\u00eb t\u00eb brendshmeve dhe parfumeve ndihmoi n\u00eb rim\u00ebk\u00ebmbjen e kompanis\u00eb.<\/p>\n
N\u00eb qend\u00ebr t\u00eb fushat\u00ebs s\u00eb vitit 1993 ishte edhe romanca mes Kate Moss dhe fotografit Mario Sorrenti. Vet\u00eb Calvin Klein ka treguar p\u00ebr revist\u00ebn Interview se pasi pa fotot e realizuara nga Sorrenti, mendoi menj\u00ebher\u00eb p\u00ebr konceptin \u201cObsession\u201d, pasi fotografi ishte \u201ci fiksuar\u201d pas Moss dhe ndjenja ishte reciproke.<\/p>\n
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N\u00eb vitin 2017, Moss deklaroi p\u00ebr Elle se lidhja e tyre ishte dashuria e saj e par\u00eb dhe nj\u00eb marr\u00ebdh\u00ebnie e mbushur me pasion. \u00c7ifti u d\u00ebrgua n\u00eb Ishujt e Virgj\u00ebr Britanik\u00eb p\u00ebr t\u00eb realizuar fotot e fushat\u00ebs, ku sipas Moss n\u00eb nj\u00eb intervist\u00eb p\u00ebr Harper’s Bazaar puna ishte intensive dhe pa pushim:\u00a0\u201cZgjohesha me klikimin e aparatit Pentax,\u201d<\/strong><\/em>\u00a0kujton ajo.<\/p>\n Fushata, me imazhe t\u00eb zhveshura dhe minimaliste t\u00eb Moss, ndihmoi n\u00eb form\u00ebsimin e estetik\u00ebs \u201cheroin chic\u201d q\u00eb do t\u00eb dominonte mod\u00ebn e viteve \u201990. Megjithat\u00eb, ajo nuk kaloi pa polemika: figura shum\u00eb e holl\u00eb e modeles u kritikua gjer\u00ebsisht dhe disa revista refuzuan ta publikonin reklam\u00ebn.<\/p>\n Pavar\u00ebsisht kritikave, \u201cObsession for Men\u201d u kthye n\u00eb fenomen kulturor. Poster\u00ebt mbush\u00ebn autobus\u00ebt dhe billbordet, nd\u00ebrsa fansat i merrnin si suvenire. N\u00eb nj\u00eb intervist\u00eb p\u00ebr Vogue, Sorrenti kujtonte se n\u00eb festa shihte reklamat e ngjitura n\u00eb muret e sht\u00ebpive.<\/p>\n","protected":false},"excerpt":{"rendered":" Episodi i kat\u00ebrt i serialit Love Story, nga Ryan Murphy, rikthen n\u00eb v\u00ebmendje nj\u00eb nga fushatat m\u00eb ikonike t\u00eb viteve \u201990: \u201cObsession for Men\u201d. Skena hap\u00ebse\u00a0 ku dy adoleshente vjedhin nj\u00eb poster me foton topless t\u00eb Kate Moss nd\u00ebrsa pran\u00eb kalon John F. Kennedy Jr. simbolizon ndikimin kulturor q\u00eb pati kjo fushat\u00eb n\u00eb at\u00eb koh\u00eb.<\/p>\n","protected":false},"author":1,"featured_media":14729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,10],"tags":[],"class_list":{"0":"post-14728","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lifestyle","8":"category-showbiz"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=14728"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14728\/revisions"}],"predecessor-version":[{"id":14730,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14728\/revisions\/14730"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/14729"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=14728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=14728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=14728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Historia](\"https:\/\/cdnimpuls.com\/bordo.al\/media3\/-900-0-1772019844xkate-moss-2000-38bc55dd60014071a524713ed3d14117-552.jpg\")
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