Filmi i shkurt\u00ebr \u201cTwo People Exchanging Saliva\u201d, ku luan aktorja shqiptare nga Kosova, Lu\u00e0na Bajrami, fitoi \u00e7mimin Best Live Action Short Film n\u00eb ceremonin\u00eb e 98th Academy Awards.<\/p>\n
Ky prodhim satirik dhe distopik tregon nj\u00eb Paris t\u00eb pazakont\u00eb ku puthjet jan\u00eb t\u00eb ndaluara me ligj dhe personazhet p\u00ebrballen me nj\u00eb realitet absurd dhe t\u00eb ftoht\u00eb. Bajrami interpreton personazhin kryesor, Malaise, duke sjell\u00eb nj\u00eb performanc\u00eb t\u00eb spikatur n\u00eb k\u00ebt\u00eb histori t\u00eb ve\u00e7ant\u00eb,\u00a0duke na b\u00ebr\u00eb t\u00eb gjith\u00ebve krenar p\u00ebr k\u00ebt\u00eb arritje t\u00eb jasht\u00ebzakonshme<\/p>\n
Regjia e filmit \u00ebsht\u00eb realizuar nga Alexandre Singh dhe Natalie Musteata, dhe projekti p\u00ebrfaq\u00ebson nj\u00eb ekip kryesisht fem\u00ebror, duke reflektuar kreativitet dhe perspektiva t\u00eb reja n\u00eb kinematografi.<\/p>\n
Lu\u00e0na Bajrami, e lindur n\u00eb Kosov\u00eb dhe e rritur n\u00eb Franc\u00eb, \u00ebsht\u00eb b\u00ebr\u00eb tashm\u00eb nj\u00eb em\u00ebr i njohur nd\u00ebrkomb\u00ebtarisht, me role n\u00eb filma si \u201cPortrait of a Lady on Fire\u201d t\u00eb C\u00e9line Sciamma, dhe si regjisorja e filmit artistik \u201cThe Hill Where Lionesses Roar\u201d, i prezantuar n\u00eb Directors\u2019 Fortnight t\u00eb Cannes Film Festival.<\/p>\n
Fitorja n\u00eb Oscars p\u00ebr k\u00ebt\u00eb film e vendos Bajramin dhe aktor\u00ebt shqiptar\u00eb n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes nd\u00ebrkomb\u00ebtare, duke sh\u00ebnuar nj\u00eb moment t\u00eb r\u00ebnd\u00ebsish\u00ebm p\u00ebr p\u00ebrfaq\u00ebsimin e artist\u00ebve shqiptar\u00eb n\u00eb kineman\u00eb bot\u00ebrore.<\/p>\n","protected":false},"excerpt":{"rendered":"
Filmi i shkurt\u00ebr \u201cTwo People Exchanging Saliva\u201d, ku luan aktorja shqiptare nga Kosova, Lu\u00e0na Bajrami, fitoi \u00e7mimin Best Live Action Short Film n\u00eb ceremonin\u00eb e 98th Academy Awards. Ky prodhim satirik dhe distopik tregon nj\u00eb Paris t\u00eb pazakont\u00eb ku puthjet jan\u00eb t\u00eb ndaluara me ligj dhe personazhet p\u00ebrballen me nj\u00eb realitet absurd dhe t\u00eb ftoht\u00eb.<\/p>\n","protected":false},"author":1,"featured_media":14804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-14803","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-showbiz"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=14803"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14803\/revisions"}],"predecessor-version":[{"id":14805,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/14803\/revisions\/14805"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/14804"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=14803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=14803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=14803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}