P\u00ebr pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb jet\u00ebs s\u00eb tij, Michael Jackson p\u00ebrfaq\u00ebsoi kulmin e fam\u00ebs globale, nj\u00eb interpretues, ndikimi i t\u00eb cilit shtrihej p\u00ebrtej muzik\u00ebs, n\u00eb kultur\u00eb, mod\u00eb dhe biznes. Suksesi i tij komercial ishte i pamohuesh\u00ebm, me albume rekord-thyese dhe turne fitimprur\u00ebse q\u00eb gjeneruan pasuri t\u00eb madhe.<\/p>\n
Megjithat\u00eb, pas k\u00ebtij suksesi fshihej nj\u00eb histori financiare shum\u00eb m\u00eb komplekse nga sa e mendonin shum\u00eb njer\u00ebz n\u00eb at\u00eb koh\u00eb. Kur Jackson vdiq n\u00eb qershor 2009, supozimi ishte se nj\u00eb nga artist\u00ebt m\u00eb t\u00eb suksessh\u00ebm n\u00eb histori kishte grumbulluar nj\u00eb pasuri q\u00eb barazohej me trash\u00ebgimin\u00eb e tij.<\/p>\n
Ata pran\u00eb Jacksonit kan\u00eb sugjeruar se ai tashm\u00eb po p\u00ebrpiqej t\u00eb ndryshonte kurs. Randy Phillips, ish-drejtori ekzekutiv i AEG Live , i tha Rolling Stone se k\u00ebng\u00ebtari ishte i p\u00ebrqendruar n\u00eb rind\u00ebrtimin e karrier\u00ebs dhe financave t\u00eb tij gjat\u00eb p\u00ebrgatitjeve p\u00ebr shfaqjet e tij t\u00eb planifikuara This Is It.<\/p>\n
\u201cAi donte q\u00eb njer\u00ebzit ta shihnin pun\u00ebn e tij dhe jo vet\u00ebm t\u00eb flisnin p\u00ebr stilin e tij t\u00eb jetes\u00ebs\u201d, tha Phillips, duke shtuar se Jackson ishte i vendosur t\u00eb \u201cpastronte financat e tij\u201d dhe t\u00eb rivendoste stabilitetin.<\/p>\n
Fuqia e t\u00eb ardhurave t\u00eb Jacksonit gjat\u00eb viteve t\u00eb tij t\u00eb kulmit ishte e jasht\u00ebzakonshme. Midis mesit t\u00eb viteve 1980 dhe mesit t\u00eb viteve 1990, ai gjeneronte dhjet\u00ebra miliona dollar\u00eb \u00e7do vit p\u00ebrmes shitjeve t\u00eb muzik\u00ebs, turneve dhe reklamave. Megjithat\u00eb, k\u00ebto t\u00eb ardhura u kompensuan nga shpenzime po aq t\u00eb konsiderueshme.<\/p>\n
Stili i tij i jetes\u00ebs u b\u00eb sinonim i teprimit, q\u00eb nga krijimi i Neverland Ranch deri te blerjet e profilit t\u00eb lart\u00eb t\u00eb artit, bizhuterive dhe koleksioneve. Sipas d\u00ebshmis\u00eb s\u00eb kontabilistit William R. Ackerman gjat\u00eb nj\u00eb \u00e7\u00ebshtjeje gjyq\u00ebsore n\u00eb vitin 2013, shpenzimet e Jacksonit p\u00ebrfshinin udh\u00ebtime, dhurata dhe kontribute filantropike, shpesh n\u00eb nj\u00eb shkall\u00eb q\u00eb pak veta mund ta p\u00ebrballonin.<\/p>\n
P\u00ebr t\u00eb mb\u00ebshtetur k\u00ebt\u00eb stil jetese, Xheksoni mb\u00ebshtetej shum\u00eb te huamarrja. Kredit\u00eb e siguruara kund\u00ebr aseteve t\u00eb tij muzikore siguronin likuiditet afatshkurt\u00ebr, por krijonin presion afatgjat\u00eb, me pagesat e interesit q\u00eb rriteshin me kalimin e koh\u00ebs. N\u00eb fazat e fundit t\u00eb jet\u00ebs s\u00eb tij, k\u00ebto detyrime ishin p\u00ebrshkall\u00ebzuar n\u00eb nj\u00eb barr\u00eb serioze financiare.<\/p>\n
Pavar\u00ebsisht shkall\u00ebs s\u00eb borxhit t\u00eb tij, portofoli i Jacksonit p\u00ebrfshinte asete me vler\u00eb t\u00eb jasht\u00ebzakonshme afatgjat\u00eb. Kryesorja midis tyre ishte pjes\u00ebmarrja e tij n\u00eb t\u00eb drejtat kryesore t\u00eb botimit t\u00eb muzik\u00ebs, duke p\u00ebrfshir\u00eb katalogun e lidhur me The Beatles , si dhe v\u00ebllimin e tij t\u00eb gjer\u00eb t\u00eb pun\u00ebs.<\/p>\n
Ekzekutuesit John Branca dhe John McClain m\u00eb von\u00eb e p\u00ebrshkruan situat\u00ebn q\u00eb trash\u00ebguan si \u201cjasht\u00ebzakonisht sfiduese\u201d, duke v\u00ebn\u00eb n\u00eb dukje se pasuria p\u00ebrballej me pretendime t\u00eb konsiderueshme nga kreditor\u00ebt dhe detyrime t\u00eb larta interesi. Megjithat\u00eb, t\u00eb nj\u00ebjtat asete siguruan themelin p\u00ebr nj\u00eb kthes\u00eb financiare.<\/p>\n
Me kalimin e koh\u00ebs, pasuria zgjidhi borxhet, ristrukturoi detyrimet dhe forcoi pozicionin e saj brenda industris\u00eb s\u00eb muzik\u00ebs. Marr\u00ebveshjet e licencimit, projektet filmike dhe partneritetet strategjike siguruan q\u00eb puna e Jacksonit t\u00eb vazhdonte t\u00eb gjeneronte t\u00eb ardhura t\u00eb konsiderueshme edhe shum\u00eb koh\u00eb pas vdekjes s\u00eb tij.<\/p>\n
M\u00eb shum\u00eb se 16 vjet m\u00eb von\u00eb, historia financiare e Jacksonit ka marr\u00eb nj\u00eb kthes\u00eb t\u00eb papritur. Pasuria e tij tani vler\u00ebsohet t\u00eb jet\u00eb rreth 2 miliard\u00eb dollar\u00eb, me t\u00eb ardhurat vjetore q\u00eb e vendosin at\u00eb shpesh midis artist\u00ebve m\u00eb t\u00eb paguar n\u00eb mbar\u00eb bot\u00ebn, pavar\u00ebsisht ndarjes nga jeta.<\/p>\n
Flukset e t\u00eb ardhurave jan\u00eb zgjeruar p\u00ebrtej shitjeve tradicionale t\u00eb muzik\u00ebs, duke p\u00ebrfshir\u00eb produksione skenike si MJ: The Musical dhe marr\u00ebveshje t\u00eb m\u00ebdha katalog\u00ebsh me partner\u00eb kryesor\u00eb t\u00eb industris\u00eb. K\u00ebto sip\u00ebrmarrje e kan\u00eb transformuar at\u00eb q\u00eb dikur ishte nj\u00eb pasuri e mbushur me borxhe n\u00eb nj\u00eb nga m\u00eb t\u00eb vlefshmet n\u00eb arg\u00ebtim.<\/p>\n
Udh\u00ebtimi i Jacksonit , nga suksesi i papar\u00eb te v\u00ebshtir\u00ebsit\u00eb financiare dhe rim\u00ebk\u00ebmbja p\u00ebrfundimtare, pasqyron ekstremet q\u00eb p\u00ebrcaktuan karrier\u00ebn e tij. \u00cbsht\u00eb nj\u00eb kujtes\u00eb se edhe n\u00eb nivelin m\u00eb t\u00eb lart\u00eb t\u00eb fam\u00ebs, realitetet financiare mund t\u00eb ndryshojn\u00eb shpejt, por edhe se asetet krijuese t\u00eb q\u00ebndrueshme mund t\u00eb mbijetojn\u00eb edhe rrethanat m\u00eb sfiduese.<\/p>\n","protected":false},"excerpt":{"rendered":"
P\u00ebr pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb jet\u00ebs s\u00eb tij, Michael Jackson p\u00ebrfaq\u00ebsoi kulmin e fam\u00ebs globale, nj\u00eb interpretues, ndikimi i t\u00eb cilit shtrihej p\u00ebrtej muzik\u00ebs, n\u00eb kultur\u00eb, mod\u00eb dhe biznes. Suksesi i tij komercial ishte i pamohuesh\u00ebm, me albume rekord-thyese dhe turne fitimprur\u00ebse q\u00eb gjeneruan pasuri t\u00eb madhe. Megjithat\u00eb, pas k\u00ebtij suksesi fshihej nj\u00eb histori<\/p>\n","protected":false},"author":1,"featured_media":15565,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-15564","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-showbiz"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/15564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=15564"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/15564\/revisions"}],"predecessor-version":[{"id":15566,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/15564\/revisions\/15566"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/15565"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=15564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=15564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=15564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}