Nj\u00eb histori e vjet\u00ebr dashurie dhe tradhtie po rikthehet n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes mediatike. Ojani Noa, burri i par\u00eb i Jennifer Lopez, ka dh\u00ebn\u00eb nj\u00eb intervist\u00eb t\u00eb fort\u00eb p\u00ebr The US Sun, ku pretendon se romanca e fsheht\u00eb e k\u00ebng\u00ebtares me reperin Sean \u201cDiddy\u201d Combs ishte shkaku kryesor i shkat\u00ebrrimit t\u00eb martes\u00ebs s\u00eb tyre.<\/p>\n
Nga dashuria ideale te dyshimet e para<\/p>\n
Sipas aktorit kubanez, martesa e tyre n\u00eb fund t\u00eb viteve ’90 po shkonte shk\u00eblqyesh\u00ebm, derisa J.Lo filloi pun\u00ebn p\u00ebr albumin e saj t\u00eb par\u00eb, On The 6, ku Diddy sh\u00ebrbente si producent. P\u00ebr shkak t\u00eb angazhimeve profesionale Noa n\u00eb Los Angeles dhe Lopez mes New York-ut e Miami distanca hapi rrug\u00ebn p\u00ebr dyshime.<\/p>\n
\u201cShoq\u00ebria nga hotele-t e Miami-t m\u00eb merrte n\u00eb telefon dhe m\u00eb thoshte se i kishin par\u00eb bashk\u00eb. Jennifer e mohonte, por gjith\u00e7ka shp\u00ebrtheu kur pash\u00eb nj\u00eb foto t\u00eb saj ulur n\u00eb prehrin e Diddy-t,\u201d \u00ebsht\u00eb shprehur Noa.<\/p>\n
P\u00ebrplasjet fizike dhe k\u00ebrc\u00ebnimet me arm\u00eb<\/p>\n
Noa tregon se p\u00ebrballej shpesh me k\u00ebng\u00ebtaren dhe se kjo situat\u00eb \u00e7oi n\u00eb debate t\u00eb ashpra. Ai rr\u00ebfen gjithashtu dy episode dramatike: P\u00ebrballja te festa: Gjat\u00eb nj\u00eb dit\u00eblindjeje n\u00eb Los Angeles, Noa pretendon se i \u00ebsht\u00eb afruar Diddy-t duke e udh\u00ebzuar t\u00eb largohej dhe e ka akuzuar drejtp\u00ebrdrejt se po flinte me gruan e tij. Tensioni te sht\u00ebpia e J.Lo: Noa pretendon se kur Lopez tentoi t\u00eb shk\u00ebpuste marr\u00ebdh\u00ebnien me Diddy-n, reperi nisi ta k\u00ebrc\u00ebnonte at\u00eb dhe familjen e saj. N\u00eb nj\u00eb rast, ai pretendon se Diddy shkoi te sht\u00ebpia e k\u00ebng\u00ebtares duke b\u00ebrtitur, nd\u00ebrsa Jennifer i k\u00ebrkoi ndihm\u00eb e frik\u00ebsuar sepse reperi mund t\u00eb kishte arm\u00eb. Ngjarja p\u00ebrfundoi vet\u00ebm pas nd\u00ebrhyrjes s\u00eb policis\u00eb.<\/p>\n
Sfondi i ngjarjeve<\/p>\n
1997\u20131998: Jennifer Lopez dhe Ojani Noa qen\u00eb t\u00eb martuar p\u00ebr vet\u00ebm nj\u00eb vit.<\/p>\n
1999\u20132001: Lidhja e Lopez me Diddy-n u b\u00eb zyrtare pak koh\u00eb pas ndarjes nga Noa dhe zgjati deri n\u00eb vitin 2001.<\/p>\n
Ngjarja n\u00eb klubin e nat\u00ebs: Gjat\u00eb koh\u00ebs q\u00eb ishin bashk\u00eb, Lopez dhe Diddy u p\u00ebrfshin\u00eb n\u00eb nj\u00eb incident t\u00eb bujsh\u00ebm me t\u00eb sht\u00ebna me arm\u00eb n\u00eb New York, ku k\u00ebng\u00ebtarja u shoq\u00ebrua nga policia, por u shpall e pafajshme.<\/p>\n
Deri m\u00eb tani, as p\u00ebrfaq\u00ebsuesit e Jennifer Lopez e as ata t\u00eb Sean \u201cDiddy\u201d Combs nuk kan\u00eb b\u00ebr\u00eb ndonj\u00eb koment publik p\u00ebr t\u00eb reaguar ndaj k\u00ebtyre deklaratave.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nj\u00eb histori e vjet\u00ebr dashurie dhe tradhtie po rikthehet n\u00eb qend\u00ebr t\u00eb v\u00ebmendjes mediatike. Ojani Noa, burri i par\u00eb i Jennifer Lopez, ka dh\u00ebn\u00eb nj\u00eb intervist\u00eb t\u00eb fort\u00eb p\u00ebr The US Sun, ku pretendon se romanca e fsheht\u00eb e k\u00ebng\u00ebtares me reperin Sean \u201cDiddy\u201d Combs ishte shkaku kryesor i shkat\u00ebrrimit t\u00eb martes\u00ebs s\u00eb tyre. Nga<\/p>\n","protected":false},"author":1,"featured_media":16586,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-16585","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-showbiz"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/16585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=16585"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/16585\/revisions"}],"predecessor-version":[{"id":16587,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/16585\/revisions\/16587"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/16586"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=16585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=16585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=16585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}