{"id":4874,"date":"2024-01-27T17:15:33","date_gmt":"2024-01-27T17:15:33","guid":{"rendered":"https:\/\/revistatrend.com\/?p=4874"},"modified":"2024-01-27T17:15:33","modified_gmt":"2024-01-27T17:15:33","slug":"paris-fashion-week-spring-summer-2024","status":"publish","type":"post","link":"https:\/\/revistatrend.com\/index.php\/2024\/01\/27\/paris-fashion-week-spring-summer-2024\/","title":{"rendered":"Paris Fashion Week spring\/summer 2024"},"content":{"rendered":"

Paris Fashion Week spring\/summer 2024 <\/strong><\/p>\n

Nj\u00eb pamje t\u00eb shkurter n\u00eb t\u00eb kaluar\u00ebn mund t\u00eb ishte nj\u00eb p\u00ebrshkrim i shk\u00eblqyesh\u00ebm i energjis\u00eb s\u00eb p\u00ebrgjithshme t\u00eb Java e Mod\u00ebs n\u00eb Paris p\u00ebr pranver\u00eb\/ver\u00eb 2024. Nd\u00ebrsa shum\u00eb dizajnues dhe drejtues krijues zhyten n\u00eb historin\u00eb e pasur t\u00eb sht\u00ebpive mod\u00ebs ku p\u00ebrkasin, ndonj\u00ebher\u00eb ndjejm\u00eb munges\u00ebn e ideve t\u00eb reja. Por nj\u00eb t\u00eb ardhme q\u00eb ka rr\u00ebnj\u00eb n\u00eb t\u00eb kaluar\u00ebn e mod\u00ebs nuk duhet t\u00eb jet\u00eb e keqe fare.<\/p>\n

Imazhi kryesor: falenderim nga Chanel<\/strong><\/p>\n

Java e Mod\u00ebs n\u00eb Paris p\u00ebr pranver\u00eb\/ver\u00eb 2024 \u00cbsht\u00eb data 3 tetor, sh\u00ebnon p\u00ebrfundimin e Jav\u00ebs s\u00eb Mod\u00ebs n\u00eb Paris p\u00ebr pranver\u00eb\/ver\u00eb 2024. Ka qen\u00eb nj\u00eb jav\u00eb e ve\u00e7ant\u00eb, ndryshe nga t\u00eb tjera. Nd\u00ebrsa Javat e Mod\u00ebs n\u00eb Kopenhagen, New York, Lond\u00ebr dhe Milano u sh\u00ebnuan nga e reja, ekstravaganca, dhe shikime n\u00eb t\u00eb ardhmen e mod\u00ebs, Parisi dukej i kapur n\u00eb t\u00eb kaluar\u00ebn.<\/p>\n

Lexo gjithashtu: GCDS Pranver\u00eb\/Ver\u00eb 2024: Nj\u00eb Kthim i G\u00ebzuesh\u00ebm me Giuliano Calza<\/strong><\/p>\n

E kaluara, e tanishmja\u2026 dhe e ardhmja? Tendencat dhe dizajnet ikonike t\u00eb kaluara dhe aktualizuar ishin kryesisht burimi kryesor i frym\u00ebzimit p\u00ebr \u00e7do shfaqje n\u00eb Jav\u00ebn e Mod\u00ebs n\u00eb Paris p\u00ebr pranver\u00eb\/ver\u00eb 2024. Tek Dior, Maria Grazia Chiuri e interpretoi nj\u00eb dizajn arkivar nga viti 1948 nga Christian Dior si nj\u00eb pik\u00eb qendrore t\u00eb koleksionit t\u00eb saj. Ajo gjithashtu u referua te ikonat e Parisit: nga Kulla Eiffel deri te harta t\u00eb vjetra t\u00eb qytetit – por kjo nuk e ndaloi at\u00eb nga krijimi i nj\u00eb koleksioni me veshje t\u00eb frym\u00ebzuara nga periudha Viktoriane.<\/p>\n

Koleksioni i Anthony Vaccarello p\u00ebr Saint Laurent ishte i ngjash\u00ebm. Pavar\u00ebsisht nga stilizimi i shk\u00eblqyesh\u00ebm, koleksioni i pranver\u00eb\/ver\u00eb i sht\u00ebpis\u00eb kishte kryesisht kombinezona. Ato ishin t\u00eb bukura, megjithat\u00eb. Koleksioni i Peter Do p\u00ebr mark\u00ebn e tij ishte nj\u00eb nga pun\u00ebt m\u00eb t\u00eb mira t\u00eb tij deri m\u00eb tani, megjithat\u00eb ishte i thjesht\u00eb dhe i shk\u00eblqyesh\u00ebm, ashtu si\u00e7 filloi nj\u00ebher\u00eb. Tek Balenciaga, Demna fokusohet tek veshjet n\u00eb vend t\u00eb l\u00ebkur\u00ebs, muzik\u00ebs t\u00eb zhurmshme dhe element\u00ebve t\u00eb tjer\u00eb distopik\u00eb. P\u00ebr Balenciaga, kjo mund t\u00eb mos jet\u00eb di\u00e7ka e re, por p\u00ebr Balenciaga n\u00ebn drejtimin e Demna, ishte gjith\u00e7ka p\u00ebrve\u00e7 tipike. Sigurisht, ai duhej t\u00eb b\u00ebnte k\u00ebshtu, p\u00ebr shkak t\u00eb gabimeve t\u00eb tij t\u00eb shquara t\u00eb fundit, ende t\u00eb freskuara n\u00eb kujtes\u00eb. Pas nj\u00eb viti ndjenjash \u201cshum\u00eb t\u00eb vetmuar,\u201d drejtori kreativ i dedikoi koleksionin t\u00eb gjith\u00eb atyre q\u00eb ishin aty p\u00ebr t\u00eb. Si rezultat, n\u00eb fillim t\u00eb shfaqjes, n\u00ebn\u00eb e tij e hapte, nd\u00ebrsa bashk\u00ebshorti i tij e mbyllte at\u00eb si nj\u00eb nuse Balenciaga esenciale. \u00c7far\u00eb b\u00ebn Demna ndryshe nga drejtor\u00ebt e tjer\u00eb kreativ\u00eb \u00ebsht\u00eb krijimi “nga posht\u00eb lart” n\u00eb vend t\u00eb “nga lart n\u00ebn” n\u00eb lidhje me luksin. Shfaqja e tij e fundit\u2014e sh\u00ebnjestruar si rikthimi i tij pas muajsh komocioni\u2014ishte shum\u00eb e rafinuar p\u00ebr shijen e tij, k\u00ebshtu q\u00eb ai zgjodhi nj\u00eb Balenciaga m\u00eb grung\u00eb, ashtu si\u00e7 kemi par\u00eb nga ai n\u00eb sezone t\u00eb m\u00ebparshme.<\/p>\n

java e mod\u00ebs n\u00eb paris p\u00ebr pranver\u00eb\/ver\u00eb 2024 java e mod\u00ebs n\u00eb paris p\u00ebr pranver\u00eb\/ver\u00eb 2024 java e mod\u00ebs n\u00eb paris p\u00ebr pranver\u00eb\/ver\u00eb 2024 java e mod\u00ebs n\u00eb paris p\u00ebr pranver\u00eb\/ver\u00eb 2024 Lart, nga majtas n\u00eb djatht\u00eb: me falenderim nga Dior, Balmain, Balenciaga dhe Peter Do \u2013<\/p>\n

Gjithashtu, Daniel Roseberry mori dizajnet e tij nga historia e pasur e Elsa Schiaparelli, me nj\u00eb koleksion t\u00eb gatsh\u00ebm p\u00ebr pranver\u00eb\/ver\u00eb 2024 q\u00eb u shfaq n\u00eb Jav\u00ebn e Mod\u00ebs n\u00eb Paris. “Dhe k\u00ebshtu kemi Schiaparelli t\u00eb gatsh\u00ebm p\u00ebr t’u veshur. A \u00ebsht\u00eb p\u00ebr p\u00ebrditshmerin\u00eb dhe a duhet t\u00eb jet\u00eb, t\u00eb guxoj t\u00eb them, ‘e leht\u00eb’? Po. Por a duhet gjithashtu t\u00eb shkaktoj\u00eb nj\u00eb ndjesi, t\u00eb frym\u00ebzoj\u00eb dik\u00eb t\u00eb kaloj\u00eb nj\u00eb dhom\u00eb dhe t\u00eb jet\u00eb nj\u00eb ekho e jasht\u00ebzakonshme e disa nga pun\u00ebt tona m\u00eb t\u00eb mira n\u00eb koutur\u00eb? Po. Elsa e b\u00ebri t\u00eb par\u00ebn. Ne po e b\u00ebjm\u00eb p\u00ebrs\u00ebri,” sh\u00ebnimet e shfaqjes thon\u00eb.<\/p>\n","protected":false},"excerpt":{"rendered":"

Paris Fashion Week spring\/summer 2024 Nj\u00eb pamje t\u00eb shkurter n\u00eb t\u00eb kaluar\u00ebn mund t\u00eb ishte nj\u00eb p\u00ebrshkrim i shk\u00eblqyesh\u00ebm i energjis\u00eb s\u00eb p\u00ebrgjithshme t\u00eb Java e Mod\u00ebs n\u00eb Paris p\u00ebr pranver\u00eb\/ver\u00eb 2024. Nd\u00ebrsa shum\u00eb dizajnues dhe drejtues krijues zhyten n\u00eb historin\u00eb e pasur t\u00eb sht\u00ebpive mod\u00ebs ku p\u00ebrkasin, ndonj\u00ebher\u00eb ndjejm\u00eb munges\u00ebn e ideve t\u00eb reja.<\/p>\n","protected":false},"author":1,"featured_media":4875,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":{"0":"post-4874","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-fashion"},"_links":{"self":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/4874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/comments?post=4874"}],"version-history":[{"count":1,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/4874\/revisions"}],"predecessor-version":[{"id":4876,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/posts\/4874\/revisions\/4876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media\/4875"}],"wp:attachment":[{"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/media?parent=4874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/categories?post=4874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistatrend.com\/index.php\/wp-json\/wp\/v2\/tags?post=4874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}